Thomas, a veteran master of brass and reed instruments, teams with Groenewald, the man he describes in his liner notes as "the perfect fit for me as an arranger." With a band that includes ten of the Pacific Northwest's major jazz artists, the two explore the possibilities in a dozen ballads from the past nine decades. In the five years or so that the German-born Groenewald has lived near Seattle on an island in Puget Sound, he and Thomas have... read more
Bassist Aaron Immanuel Wright's debut CD indicate a cool rendering where music is demanding, melodic and confrontational, alternating competitive dissonance with translucence. Wright's bass lines are direct with a heavy distinct convulsive sound, learned from playing in many different environments, and with a degree in philosophy and music, performing and composing among the best jazz musicians in the world. Accompanied by mentor, educator and... read more
Solo piano is the ultimate challenge: you're all alone, excerpt for those 88 keys flashing their ivories. No other horn waiting to pick up the melodic slack, no additional rhythm guys keeping time. Yet solo piano is a mixed blessing. You assume full responsibility to call the shots: you set the metronome, fall back on rubato whenever the mood strikes, and re-harmonize all over the keyboard without feeling guilty. Final interpretation is up to... read more
Solid new release from drummer Bishop, following on the heels of Little Played Little Bird, his reinterpretation of obscure Ornette Coleman tunes, and one of the best things released in 2012. This time around, he gets closer to a straight-ahead modern post-bop sound, but the same odd fluidity he brought to Coleman's music, he applies here, too, making straight-ahead music move in directions other than straight. A quartet session with... read more
Nuance and soul are both earmarks of Dawn Clement's Break (Origin Records) where the pianist is joined by a fine rhythm section of bassist Dean Johnson and drummer Matt Wilson.
Clear, assured, nimble, and muscular articulation - in the manner of a Phineas Newborn Jr. - is matched to some of the varieties of thought and feeling that he, too, submerged just below the surface of fresh styling.
Clement sings on a few of the tracks.... read more
The best jazz albums of 2018 We wrote about vibist Locke a couple months ago, and this is a delectable piece of work, with seven of the nine tunes here his compositions. "Red Cloud" is a tribute to the Sioux chief, a muscular theme where guest David Binney's alto sax seems to depict things spinning out of control, until Locke's absolutely riveting vibes melody works through to a sort of transcendence. Bob Dylan's "Who Killed Davey... read more
On her fifth CD as leader, Seattle-based pianist and vocalist Dawn Clement gives credence to the notion that good music often defies categorization. Ten songs, nine of which are duets, cover a broad range of musical genres, oft conveying several within a single tune.
Clement's vocals are as rural folksy as her piano playing is urban jazzy. The ballad standard "In the Wee Small Hours of the Morning," occurs during Clement's "mornin'" (she... read more
I'm kinda glad Jack Mouse named this CD as he did, as I find more than a little Paul Motian in his playing. Motian's Conception Vessel was one of a handful of LPs that early turned me on to the inimitable ECM label, and what now attracts me to Paul's method is what I found in Jack's: a strong tendency to lay an entire environment beneath the rest of the band. Motian's a little artier while Mouse is swingin'er, but the two accomplish the... read more
This is just a small collection of the Origin Records reviews. Click here to view all reviews or try to Search for your favorite CD title.
Karrin Allyson - A Kiss for Brazil
by Katchie Cartwright, All About Jazz
Karrin Allyson - A Kiss for Brazil
by Scott Yanow, LA Jazz Scene
Ben Patterson Jazz Orchestra - Groove Junkies
by Dan Bilawsky, All About Jazz
Karrin Allyson - A Kiss for Brazil
by Eg'dio Leitão , Música Brasileira
Maddie Vogler - While We Have Time
by Editor, Bman's Blues Report
Alon Farber Hagiga with Dave Douglas - The Magician: Live in Jerusalem
by Jim Motavalli, The New York City Jazz Record
John Bishop - Antwerp
by Dorothea Gangel, Jazz'N'More (Switzerland)
Benjamin Boone - Caught in the Rhythm
by Tom Haugen, Take Effect
Last Word Quintet - Falling to Earth
by Ferdinand Dupuis-Panther, Jazz'halo (Belgium)
Martin Budde - Back Burner
by Ferdinand Dupuis-Panther, Jazz'halo (Belgium)